It’s been a while since the last time I wrote a proper review for a show, and I think this one deserves the shout out. I have to admit that I only knew about My Absolute Boyfriend for two reasons: 1) It is a Korean remake of the popular Jdrama Zettai Kareshi (also translated to Absolute Boyfriend), and 2) It is a pre-produced series starring Yeo Jin-goo, Minah, and Hong Jong-hyun. I was just going to have a short peek at it when it finally landed itself a broadcast spot on SBS’ Wed-Thu slot, but here I am, waiting and having a good long thought on the issues brought up by the drama.
The most difficult thing to wait for, after a drama has aired, is probably the next episode. Oh, how hard it is to count the days until the next Monday! tvn’s 왕이 된 남자 (The Man Who Became King/ English title: The Crowned Clown) is slowly and surely out there messing with my mind and heart, but I don’t mind it at all. It’s just…a bit heart wrenching, especially after watching this week’s episodes. Do I stop watching at this point, fearing that my heart will be shattered into pieces? Most definitely not, because I have to see this until the end, be it a bitter or sweet, maybe bittersweet ending.
Continuing from the first part of the Joseon Wedding Series, this second part will be focusing on the steps leading to the wedding ceremony itself. Although the practice did undergo changes throughout the hundreds of years of Joseon and actually varies from one region to another, I will be focusing on the general one to avoid confusion, since this is intended to feed the curious minds of kdrama watchers and not for academical purposes. Still, it will be great if this series could be a stepping stone for people to dig deeper into the culture and spur more discoveries of interesting facts about this topic.
tvn’s first sageuk offering of 2019 왕이 된 남자 (The Man Who Became King/ English title: The Crowned Clown) has only aired for two weeks, yet I am already feeling the withdrawal symptom. That is such a hyperbolic thing to say at this point, especially when the drama has not even passed the halfway mark yet. Maybe this has something to do with the huge anticipation I had ever since the remake of 2012 hit movie Masquerade was first announced last year and the long wait for it to finally air earlier this month. Jinxes or not, I have to say something about this drama, which has occupied my brain all week long.
Ever since it was first announced, the drama has garnered attention for various reasons: some finds it interesting that dramaland is welcoming a new imaginary Imperial Korea drama after quite a while (Princess Hours, anyone?), but the main attraction has the writer to be thankful for. Kim Sun-ok has scored a prime time slot for her drama after making a name for her ultra-makjang weekenders, but prior to that, she was already famous for her makjang works like her widely known Temptation of Wife. Thus, it is no big surprise that The Last Empress or 황후의 품격 (literal title The Empress’ Dignity) scored 7 to 8% ratings for its first week.